Saccharine, a bold and unsettling exploration of eating disorders and body dysmorphia, is a testament to the power of horror movies as vessels for cultural commentary. Directed by Natalie Erika James, the film takes a daring route into the depths of psychological horror, leaving viewers with a lot to ponder long after the credits roll.
What makes Saccharine particularly fascinating is its ability to intertwine supernatural elements with corporeal dread, creating a unique and unsettling atmosphere. The film begins with extreme close-ups of a person gorging on jam doughnuts, unfolding in reverse, setting the tone for the disturbing and thought-provoking journey ahead.
The central character, Hana (Midori Francis), is a medical student obsessed with losing weight. Her obsession leads her to an old high school friend who has undergone a drastic weight loss, sparking Hana's interest in a miracle weight loss pill. This pill, however, contains a shocking secret - it's made from human ashes. Despite this revelation, Hana's determination to lose weight drives her to create her own version of the pill, using the body of a large woman donated to science, dubbed 'Big Bertha'.
James' direction is a standout feature, with a knack for visualising core themes. In her previous work, Relic, she explored dementia through individual images, such as a mouldy fruit bowl and an overrun tennis court. In Saccharine, she presents the insides of humans in ways that make them look like food, playing with aesthetic elements that are both desirable and disgusting. This unique approach adds to the film's unsettling nature.
The performance of Midori Francis as Hana is a highlight, bringing a measure of restraint and nuance to the film. Despite the film's unsubtle nature, Francis' portrayal adds depth to the character, making her journey through the film's disturbing events more compelling. The film's atmosphere, while haunting, is carefully judged, creating a sense of unease that lingers long after the viewing.
Saccharine offers a lot to chew over, both literally and metaphorically. It delves into the complexities of eating disorders and the psychological horrors that can arise from them. The film's exploration of body dysmorphia and the lengths people go to in pursuit of an unattainable ideal is a powerful commentary on modern society's obsession with appearance.
One of the most intriguing aspects of Saccharine is its ability to blend supernatural horror with corporeal dread. The 'hungry ghost' lore, a Buddhist mythology often interpreted as an allegory for insatiable desire, is a clever device that adds depth to the film's themes. The question of how far Hana's obsession will take her and the extent of the horror James is willing to portray is a constant undercurrent, keeping viewers on the edge of their seats.
In conclusion, Saccharine is a thought-provoking and unsettling film that leaves a lasting impression. It is a powerful commentary on the dangers of body dysmorphia and the lengths people will go to in pursuit of an unattainable ideal. The film's unique blend of supernatural and corporeal horror, coupled with a compelling performance, makes it a must-watch for fans of psychological thrillers and horror enthusiasts alike.
The film is currently showing in Australian cinemas and is available to stream on Shudder in the US. For those affected by eating disorders, support is available through various helplines, including the Butterfly Foundation in Australia, Beat in the UK, and the National Eating Disorders Organization in the US.
